Two the same
Laughing cups
Both landed the same way up. The cups are amused — the question was too vague, or you already knew. Traditionally you'd rephrase and throw again.
A twilight ritual
Two crescents, one question, and an answer read off the floor. An old way of asking — borrowed for the hour between day and night.
Where they come from
They're called moon blocks — jiaobei — and they have sat on temple floors across southern China and Taiwan for something close to a thousand years. A pair of crescents, cut from wood or the root of a bamboo, lacquered a deep red. One face flat. One face round.
You hold them together in both hands. You ask something you actually want to know — not a wish, a question. Then you let them go, and you read how they land.
The blocks don't decide anything. They just make you stand still long enough to hear what you already suspected. On why people keep throwing them
What we loved about them is the shape. A crescent, tipped on its side, is the same curve we've been drawing since the day this brand got its name — the C of Crepúlo, the sliver of light left at dusk. We didn't have to borrow a symbol. It was already ours.
How they're read
You don't read the throw. You read which face is looking back at you — round side up, or flat side up.
Two the same
Both landed the same way up. The cups are amused — the question was too vague, or you already knew. Traditionally you'd rephrase and throw again.
One of each
One round face, one flat. Yin and yang, agreeing. This is a clear yes — the throw everyone in the temple is hoping for.
On its edge
A crescent lands upright and stays there. It happens perhaps once in a hundred throws, and nobody quite agrees what it means.
One we left out
Both flat faces up, and the temple has told you plainly to drop it. We took that one out of ours. Nobody comes to a shop to be turned down — so however our cups fall, you leave with something. The only thing left to chance is how much.
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